Assume every film in your lineup needs its own clearance. Note distributor contacts, fees, deadlines, and format requirements. If a package deal exists, confirm it in writing. Track all promises, emails, and invoices. When schedules shift, notify rights holders promptly. Reliability and organization make you a partner people trust, which multiplies opportunities for your next program.
If you stream or host a hybrid event, you may need additional digital rights, geo-restrictions, DRM, and time-limited access links. Confirm that your license covers online screenings, chat features, and any recording of discussions. Testing platforms, securing backups, and clarifying audience caps avoids technical confusion and protects rights holders’ confidence in your stewardship of their work.
Music synchronized in the licensed film is typically cleared for the on-screen presentation you are authorized to host. Do not extract tracks or repurpose audio. If you plan a post-screening remix, dance segment, or broadcast, additional rights likely apply. When in doubt, ask the rights holder before experimenting, and document any added permissions in writing.
Background or live music before and after the screening may require public performance licenses from PROs such as ASCAP, BMI, SESAC, or GMR in the United States. Your venue might already hold coverage. Confirm scope, song use, and whether your event qualifies. Clear music keeps the vibe joyful and ensures artists and writers are fairly recognized.
Even brief clips or trailers used in marketing often need permission. Avoid assuming fair use; promotional contexts rarely qualify. Request approved trailers, respect embargoes, and link to official sources when possible. Clear, timely coordination prevents last-minute pullbacks that dilute momentum, confuse audiences, and complicate your micro-festival’s messaging across social channels and partner newsletters.